Friday, January 16, 2015
Mario Benedetti, Pasatiempo
Cuando éramos niños
los viejos tenían como treinta
un charco era un océano
la muerte lisa y llana
no existía
luego cuando muchachos
los viejos eran gente de cuarenta
un estanque era océano
la muerte solamente
una palabra
ya cuando nos casamos
los ancianos estaban en cincuenta
un lago era un océano
la muerte era la muerte
de los otros
ahora veteranos
ya le dimos alcance a la verdad
el océano es por fin el océano
pero la muerte empieza a ser
la nuestra.
Pasatiempo de Mario Benedetti
Thursday, January 15, 2015
Samuel Beckett, Worstward Ho
Ever tried. Ever failed. No matter. Fail again. Fail better.
-- Samuel Beckett
-- Samuel Beckett
Wednesday, January 14, 2015
M.R. Carey, excerpts from: The Girl with All the Gifts
“It’s not just Pandora who had that inescapable flaw. It seems like
everyone has been built in a way that sometimes makes them do wrong and
stupid things.”
“Melanie thinks: when your dreams come true, your true has moved. You've already stopped being the person who had the dreams, so it feels more like a weird echo of something that already happened to you a long time ago.”
“you can't save people from the world. There's nowhere else to take them.”
-- M.R. Carey, The Girl with All the Gifts
...
“Melanie thinks: when your dreams come true, your true has moved. You've already stopped being the person who had the dreams, so it feels more like a weird echo of something that already happened to you a long time ago.”
...
“you can't save people from the world. There's nowhere else to take them.”
-- M.R. Carey, The Girl with All the Gifts
Tuesday, January 13, 2015
excerpted from Wild, by Cheryl Strayed
"It took me years to take my place among the ten thousand things again. To be the woman my mother raised. To remember how she said honey and picture her particular gaze. I would suffer. I would suffer. I would want things to be different than they were. The wanting was a wilderness and I had to find my own way out of the woods. It took me four years, seven months, and three days to do it. I didn't know where I was going until I got there." p. 27
"As close as we'd been when we were together, we were closer in our unraveling, telling each other everything at last, words that seemed to us might never have been spoken between two human beings before, so deep we went, saying everything that was beautiful and ugly and true." p. 99
"As close as we'd been when we were together, we were closer in our unraveling, telling each other everything at last, words that seemed to us might never have been spoken between two human beings before, so deep we went, saying everything that was beautiful and ugly and true." p. 99
Monday, January 12, 2015
from: The Blind Assassin, Margaret Atwood
"Why is it we want so
badly to memorialize ourselves? Even while we’re still alive. We wish
to assert our existence, like dogs peeing on fire hydrants. We put on
display our framed photographs, our parchment diplomas, our
silver-plated cups; we monogram our linen, we carve our names on trees,
we scrawl them on washroom walls. It’s all the same impulse. What do we
get from it? Applause, envy, respect? Or simply attention, of any kind
we can get?
At the very least we want a witness. We can’t stand the idea of our own voices falling silent finally, like a radio winding down."
“The only way you can write the truth is to assume that what you set down will never be read. Not by any other person, and not even by yourself at some later date. Otherwise you begin excusing yourself. You must see the writing as emerging like a long scroll of ink from the index finger of your right hand; you must see your left hand erasing it.”
-- Margaret Atwood, The Blind Assassin
At the very least we want a witness. We can’t stand the idea of our own voices falling silent finally, like a radio winding down."
“The only way you can write the truth is to assume that what you set down will never be read. Not by any other person, and not even by yourself at some later date. Otherwise you begin excusing yourself. You must see the writing as emerging like a long scroll of ink from the index finger of your right hand; you must see your left hand erasing it.”
-- Margaret Atwood, The Blind Assassin
Sunday, January 11, 2015
Excerpted from: Choke, Chuck Palahniuk
'Why do I do anything?" she says. "I'm educated enough to talk myself
out of any plan. To deconstruct any fantasy. Explain away any goal. I'm
so smart I can negate any dream."
-- Chuck Palahniuk, Choke
-- Chuck Palahniuk, Choke
Saturday, January 10, 2015
The Scars of Utopia - Jeffrey McDaniel
If you keep taking stabs at utopia
sooner or later there will be scars.
Suppose there was a thermometer able to measure
contentment. Would you slide it under
your tongue and risk being told you were on par
with a thirteenth century farmer who lost
all his teeth in a game of hide and seek? Would you
be tempted to abandon your portable conscience,
the remote control that lets you choose who you are
for every occasion? I wish we cared more
about how we sounded than how we looked.
Instead of primping before mirrors each morning,
we'd huddle in echo chambers, practicing our scales.
As a kid, I thought the local amputee was dying in
pieces,
that his left arm was leaning against a tree in heaven,
waiting for the rest of him to arrive, as if God
was dismantling him like a jigsaw puzzle, but now
I understand we're all missing something. I wish
there were Band Aids for what you don't know, whisky
breath mints for sober people to fit in at wild parties.
There ought to be a Smithsonian for misfits,
where an insomniac's clammy pillow hangs over
a narcoleptic's drool cup, the teeth of an anorexic
displayed like a white picket fence designed
to keep food from trespassing. I wish the White House
was made out of mood ring rock, reflecting
the health of the nation. And an atheist hour
at every church, and needle exchange programs,
and haystack exchange programs too, and emotional
baggage thrift stores, a Mount Rushmore for assassins.
I'm sick of strip malls and billboards. I dream
of a road lit by people who set themselves on fire,
no asphalt, no rest stops, just a bunch of dead grass
with footprints so deep, like a track meet in wet cement.
-- Jeffrey McDaniel, The Scars of Utopia
sooner or later there will be scars.
Suppose there was a thermometer able to measure
contentment. Would you slide it under
your tongue and risk being told you were on par
with a thirteenth century farmer who lost
all his teeth in a game of hide and seek? Would you
be tempted to abandon your portable conscience,
the remote control that lets you choose who you are
for every occasion? I wish we cared more
about how we sounded than how we looked.
Instead of primping before mirrors each morning,
we'd huddle in echo chambers, practicing our scales.
As a kid, I thought the local amputee was dying in
pieces,
that his left arm was leaning against a tree in heaven,
waiting for the rest of him to arrive, as if God
was dismantling him like a jigsaw puzzle, but now
I understand we're all missing something. I wish
there were Band Aids for what you don't know, whisky
breath mints for sober people to fit in at wild parties.
There ought to be a Smithsonian for misfits,
where an insomniac's clammy pillow hangs over
a narcoleptic's drool cup, the teeth of an anorexic
displayed like a white picket fence designed
to keep food from trespassing. I wish the White House
was made out of mood ring rock, reflecting
the health of the nation. And an atheist hour
at every church, and needle exchange programs,
and haystack exchange programs too, and emotional
baggage thrift stores, a Mount Rushmore for assassins.
I'm sick of strip malls and billboards. I dream
of a road lit by people who set themselves on fire,
no asphalt, no rest stops, just a bunch of dead grass
with footprints so deep, like a track meet in wet cement.
-- Jeffrey McDaniel, The Scars of Utopia
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