I wish I was a photograph
tucked into the corners of your wallet
I wish I was a photograph
you carried like a future in your back pocket
I wish I was that face you show to strangers
when they ask you where you come from
I wish I was that someone that you come from
every time you get there
and when you get there
I wish I was that someone who got phone calls
and postcards saying
wish you were here
I wish you were here
autumn is the hardest season
the leaves are all falling
and they're falling like they're falling in love with the ground
and the trees are naked and lonely
I keep trying to tell them
new leaves will come around in the spring
but you can't tell trees those things
they're like me they just stand there
and don't listen
I wish you were here
I've been missing you like crazy
I've been hazy eyed
staring at the bottom of my glass again
thinking of that time when it was so full
it was like we were tapping the moon for moonshine
or sticking straws into the center of the sun
and sipping like Icarus would forever kiss
the bullets from our guns
I never meant to fire you know
I know you never meant to fire lover
I know we never meant to hurt each other
now the sky clicks from black to blue
and dusk looks like a bruise
I've been wrapping one night stands
around my body like wedding bands
but none of them fit in the morning
they just slip off my fingers and slip out the door
and all that lingers is the scent of you
I once swore if I threw that scent into a wishing well
all the wishes in the world would come true
do you remember
do you remember the night I told you
I've never seen anything more perfect than
than snow falling in the glow of a street light
electricity bowing to nature
mind bowing to heartbeat
this is gonna hurt bowing to I love you
I still love you like moons love the planets they circle around
like children love recess bells
I still hear the sound of you
and think of playgrounds
where outcasts who stutter
beneath braces and bruises and acne
are finally learning that their rich handsome bullies
are never gonna grow up to be happy
I think of happy when I think of you
so wherever you are I hope you're happy
I really do
I hope the stars are kissing your cheeks tonight
I hope you finally found a way to quit smoking
I hope your lungs are open and breathing you life
I hope there's a kite in your hand
that's flying all the way up to orion
and you still got a thousand yards of string to let out
I hope you're smiling
like god is pulling at the corners of your mouth
cause I might be naked and lonely
shaking branches for bones
but I'm still time zones away
from who I was the day before we met
you were the first mile
where my heart broke a sweat
and I wish you were here
I wish you'd never left
but mostly I wish you well
I wish you my very very best
~ "Photograph" by Andrea Gibson, From: Pole Dancing to Gospel Hymns
Sunday, November 25, 2012
Thursday, November 22, 2012
Adrienne Rich, This Evening Let's
This Evening Let's
not talk
about my country How
I'm from an optimistic culture
that speaks louder than my passport
Don't double-agent-contra my
invincible innocence I've
got my own
suspicions Let's
order retsina
cracked olives and bread
I've got questions of my own but
let's give a little
let's let a little be
If friendship is not a tragedy
if it's a mercy
we can be merciful
if it's just escape
we're neither of us running
why otherwise be here
Too many reasons not
to waste a rainy evening
in a backroom of bouzouki
and kitchen Greek
I've got questions of my own but
let's let it be a little
There's a beat in my head
song of my country
called Happiness, U.S.A.
Drowns out bouzouki
drowns out world and fusion
with its Get—get—get
into your happiness before
happiness pulls away
hangs a left along the piney shore
weaves a hand at you—"one I adore"—
Don't be proud, run hard for that
enchantment boat
tear up the shore if you must but
get into your happiness because
before
and otherwise
it's going to pull away
So tell me later
what I know already
and what I don't get
yet save for another day
Tell me this time
what you are going through
travelling the Metropolitan
Express
break out of that style
give me your smile
awhile
~ Adrienne Rich, This Evening Let's (2001)
Wednesday, April 25, 2012
Tanya Davis, "Party Harder"
some 20 somethings in this small town go out to the same bar every weekend
'cause they need something to complete them
and it seems alcohol will feed them
and so they drink it down and feel at ease and
think the evening heals them
they go home and sleep
in the morning meet at greasy spoons for eggs, toast, and caffeine
they eat and feel relieved
and laugh at last night's stories
in this small town we know the drink
we know the morning after
we know the sobering
and we don't all get loaded or anything
some of us don't drink a drop
but in the cold of this winter some of us drink a lot
and some nights it's a healthy celebration
and on some nights it's not
i've seen people leaving bars so drunk that they can't walk
girls with short skirts looking vulnerable, wandering off
boys with tough talk
their fists clenched with alcohol
i've seen tears shed and friendships ended in the name of a good time had by all
i've seen this all
witnessed people falling over
driving though they were not sober
going home with someone they don't know
to have sex that was only mediocre
20 somethings in this small town say they know how to party
so they grab a bottle and drink it down so they can get started
so they can party harder
'cause it's hardly a party
without their liquid partner
you can see them at the bars
you can see them in the streets eating pizza in the dark
20 somethings in this small town, drinking hard
- Tanya Davis, "Party Harder"
'cause they need something to complete them
and it seems alcohol will feed them
and so they drink it down and feel at ease and
think the evening heals them
they go home and sleep
in the morning meet at greasy spoons for eggs, toast, and caffeine
they eat and feel relieved
and laugh at last night's stories
in this small town we know the drink
we know the morning after
we know the sobering
and we don't all get loaded or anything
some of us don't drink a drop
but in the cold of this winter some of us drink a lot
and some nights it's a healthy celebration
and on some nights it's not
i've seen people leaving bars so drunk that they can't walk
girls with short skirts looking vulnerable, wandering off
boys with tough talk
their fists clenched with alcohol
i've seen tears shed and friendships ended in the name of a good time had by all
i've seen this all
witnessed people falling over
driving though they were not sober
going home with someone they don't know
to have sex that was only mediocre
20 somethings in this small town say they know how to party
so they grab a bottle and drink it down so they can get started
so they can party harder
'cause it's hardly a party
without their liquid partner
you can see them at the bars
you can see them in the streets eating pizza in the dark
20 somethings in this small town, drinking hard
- Tanya Davis, "Party Harder"
Monday, April 23, 2012
Tanya Davis, "How to Be Alone"
If you are at first lonely, be patient.
If you’ve not been alone much, or if when you were, you weren’t okay with it, then just wait. You’ll find it’s fine to be alone once you’re embracing it.
We can start with the acceptable places, the bathroom, the coffee shop, the library, where you can stall and read the paper, where you can get your caffeine fix and sit and stay there. Where you can browse the stacks and smell the books; you’re not supposed to talk much anyway so it’s safe there.
There is also the gym, if you’re shy, you can hang out with yourself and mirrors, you can put headphones in.
Then there’s public transportation, because we all gotta go places.
And there’s prayer and mediation, no one will think less if your hanging with your breath seeking peace and salvation.
Start simple. Things you may have previously avoided based on your avoid being alone principles.
The lunch counter, where you will be surrounded by “chow downers”, employees who only have an hour and their spouses work across town, and they, like you, will be alone.
Resist the urge to hang out with your cell phone.
When you are comfortable with “eat lunch and run”, take yourself out for dinner; a restaurant with linen and Silverware. You’re no less an intriguing a person when you are eating solo desert and cleaning the whip cream from the dish with your finger. In fact, some people at full tables will wish they were where you were.
Go to the movies. Where it’s dark and soothing, alone in your seat amidst a fleeting community.
And then take yourself out dancing, to a club where no one knows you, stand on the outside of the floor until the lights convince you more and more and the music shows you. Dance like no one’s watching because they’re probably not. And if they are, assume it is with best human intentions. The way bodies move genuinely to beats, is after-all, gorgeous and affecting. Dance until you’re sweating. And beads of perspiration remind you of life’s best things. Down your back, like a book of blessings.
Go to the woods alone, and the trees and squirrels will watch for you. Go to an unfamiliar city, roam the streets, they are always statues to talk to, and benches made for sitting gives strangers a shared existence if only for a minute, and these moments can be so uplifting and the conversation you get in by sitting alone on benches, might of never happened had you not been there by yourself.
Society is afraid of alone though. Like lonely hearts are wasting away in basements. Like people must have problems if after awhile nobody is dating them.
But lonely is a freedom that breathes easy and weightless, and lonely is healing if you make it.
You can stand swathed by groups and mobs or hands with your partner, look both further and farther in the endless quest for company.
But no one is in your head. And by the time you translate your thoughts an essence of them maybe lost or perhaps it is just kept. Perhaps in the interest of loving oneself, perhaps all those “sappy slogans” from pre-school over to high school groaning, we’re tokens for holding the lonely at bay.
Cause if you’re happy in your head, then solitude is blessed, and alone is okay.
It’s okay if no one believes like you, all experience is unique, no one has the same synapses, can’t think like you, for this be relieved, keeps things interesting, life’s magic things in reach, and it doesn’t mean you aren’t connected, and the community is not present, just take the perspective you get from being one person in one head and feel the effects of it.
Take silence and respect it.
If you have an art that needs a practice, stop neglecting it, if your family doesn’t get you or a religious sect is not meant for you, don’t obsess about it.
You could be in an instant surrounded if you need it.
If your heart is bleeding, make the best of it.
There is heat in freezing, be a testament.
- Tanya Davis, "How to Be Alone"
If you’ve not been alone much, or if when you were, you weren’t okay with it, then just wait. You’ll find it’s fine to be alone once you’re embracing it.
We can start with the acceptable places, the bathroom, the coffee shop, the library, where you can stall and read the paper, where you can get your caffeine fix and sit and stay there. Where you can browse the stacks and smell the books; you’re not supposed to talk much anyway so it’s safe there.
There is also the gym, if you’re shy, you can hang out with yourself and mirrors, you can put headphones in.
Then there’s public transportation, because we all gotta go places.
And there’s prayer and mediation, no one will think less if your hanging with your breath seeking peace and salvation.
Start simple. Things you may have previously avoided based on your avoid being alone principles.
The lunch counter, where you will be surrounded by “chow downers”, employees who only have an hour and their spouses work across town, and they, like you, will be alone.
Resist the urge to hang out with your cell phone.
When you are comfortable with “eat lunch and run”, take yourself out for dinner; a restaurant with linen and Silverware. You’re no less an intriguing a person when you are eating solo desert and cleaning the whip cream from the dish with your finger. In fact, some people at full tables will wish they were where you were.
Go to the movies. Where it’s dark and soothing, alone in your seat amidst a fleeting community.
And then take yourself out dancing, to a club where no one knows you, stand on the outside of the floor until the lights convince you more and more and the music shows you. Dance like no one’s watching because they’re probably not. And if they are, assume it is with best human intentions. The way bodies move genuinely to beats, is after-all, gorgeous and affecting. Dance until you’re sweating. And beads of perspiration remind you of life’s best things. Down your back, like a book of blessings.
Go to the woods alone, and the trees and squirrels will watch for you. Go to an unfamiliar city, roam the streets, they are always statues to talk to, and benches made for sitting gives strangers a shared existence if only for a minute, and these moments can be so uplifting and the conversation you get in by sitting alone on benches, might of never happened had you not been there by yourself.
Society is afraid of alone though. Like lonely hearts are wasting away in basements. Like people must have problems if after awhile nobody is dating them.
But lonely is a freedom that breathes easy and weightless, and lonely is healing if you make it.
You can stand swathed by groups and mobs or hands with your partner, look both further and farther in the endless quest for company.
But no one is in your head. And by the time you translate your thoughts an essence of them maybe lost or perhaps it is just kept. Perhaps in the interest of loving oneself, perhaps all those “sappy slogans” from pre-school over to high school groaning, we’re tokens for holding the lonely at bay.
Cause if you’re happy in your head, then solitude is blessed, and alone is okay.
It’s okay if no one believes like you, all experience is unique, no one has the same synapses, can’t think like you, for this be relieved, keeps things interesting, life’s magic things in reach, and it doesn’t mean you aren’t connected, and the community is not present, just take the perspective you get from being one person in one head and feel the effects of it.
Take silence and respect it.
If you have an art that needs a practice, stop neglecting it, if your family doesn’t get you or a religious sect is not meant for you, don’t obsess about it.
You could be in an instant surrounded if you need it.
If your heart is bleeding, make the best of it.
There is heat in freezing, be a testament.
- Tanya Davis, "How to Be Alone"
Sunday, April 22, 2012
Buddy Wakefield, "Convenience Stores"
We both know the smell of a convenience store at 4 a.m. like the backs
of alotta hands.
She sells me trucker crack/Mini-Thins (it’s like Vivarin).
She doesn’t make me feel awkward about it.
She can tell it’s been a long drive and it’s only gonna get longer.
Offers me a free cup of coffee, but I never touch the stuff.
Besides, I’m gonna need more speed than that.
We notice each other’s smiles immediately.
It’s our favorite thing for people to notice—our smiles.
It’s all either one of us has to offer.
You can see it in the way our cheeks stretch out like arms
wanting nothing more than to say, “You are welcome here.”
She—
shows brittle nicotine teeth with spaces between each one.
Her fingers are bony, there’s no rings on’m, and she’d love to get’er nails
done someday.
One time she had’er hair fixed.
They took out the grease, made it real big on top, and feathered it.
She likes it like that.
She’ll never be fully informed on some things just like I will never understand
who really buys Moon Pies, or those rolling, wrinkled, dried-up sausages.
But then again, she’s been here a lot longer than me.
She’s seen everything
from men who grow dread locks out of their top lips
to children who look like cigarettes.
I give’er my money.
I wait for my change.
But I feel like there’s something more happening here.
I feel—
like a warm mop bucket and dingy tiles that’ll never come clean.
I feel like these freezers cannot be re-stocked often enough.
I feel like trash cans of candy wrappers
with soda pop dripping down the wrong side of the plastic.
I feel like everything just got computerized.
I feel like she was raised to say a LOT of stupid things about a color.
And I feel like if I were to identify myself as gay—
this conversation would stop.
It’s what I do.
I feel.
I get scared sometimes.
And I drive.
…But in 1 minute and 48 seconds I’m gonna walk outta here with a full tank of
gas, a bottle of Mini-Thins, and a pint of milk while there’s a woman still
trapped behind a formican counter somewhere in North Dakota who says she
wants nothing more than to hear my whole story, all 92,775 miles of it.
I can feel it though, y’all, she’s heard more opinions and trucker small talk than
Santa Claus has made kids happy, so I only find the nerve to tell’er the good
parts, that she’s the kindest thing to happen since Burlington, VT, and I wanna
leave it at that because men—who are not smart—have taken it farther, have
cradled her up like a nutcracker and made her feel as warm as a high school education
on the dusty back road, or a beer, in a coozy.
I feel like she’s been waiting here a long time for the one who’ll come 2-steppin’
through that door on 18 wheels without makin’er feel like it’s her job to
sweep up the nutshells alone when she’s done been cracked again, who won’t
tempt her to suck the wedding ring off his dick, but will show her— simply—
LOVE.
She doesn’t need me or any other man but she doesn’t know that either, and I’m
just hopin’ like crazy she doesn’t think I’m the one because the only time I’ll
ever see North Dakota again is in a Van Morrison song late (LATE) at night, I
promise.
Y’all, I feel like she’s 37 years old wearing 51 (badly), dying inside (like certain
kinds of dances around fires) to speak through you, a forest, if you weren’t so
taken with sparks.
But she was never given those words.
She has not been told she can definitely change the world.
She knows some folks do
but not in convenience stores
and NOT with lottery tickets
so
I finally ask’er what I’ve been feelin’ the entire time I’ve been standin’ there
still
gettin’ scared like I do sometimes
really (REALLY) ready to drive
I ask,
“Is this it for you?
Is this all you’ll ever do?”
Her smile
collapsed.
That tightly strapped-in pasty skin
went loose.
Her heart
fell crooked.
She said (not knowin’ my real name),
“I can tell, buddy, by the Mini Thins and the way ya drive—
we’re both taken with novelty.
We’ve both believed in mean gods.
We both spend our money on things that break too easily like…
people.
And I can tell
you think you’ve had it rough
so especially you should know…
It’s what I do,
I dream.
I get high sometimes.
And I’m gonna roll outta here one day.
I just might not get to drive."
~ Buddy Wakefield, "Convenience Stores"
of alotta hands.
She sells me trucker crack/Mini-Thins (it’s like Vivarin).
She doesn’t make me feel awkward about it.
She can tell it’s been a long drive and it’s only gonna get longer.
Offers me a free cup of coffee, but I never touch the stuff.
Besides, I’m gonna need more speed than that.
We notice each other’s smiles immediately.
It’s our favorite thing for people to notice—our smiles.
It’s all either one of us has to offer.
You can see it in the way our cheeks stretch out like arms
wanting nothing more than to say, “You are welcome here.”
She—
shows brittle nicotine teeth with spaces between each one.
Her fingers are bony, there’s no rings on’m, and she’d love to get’er nails
done someday.
One time she had’er hair fixed.
They took out the grease, made it real big on top, and feathered it.
She likes it like that.
She’ll never be fully informed on some things just like I will never understand
who really buys Moon Pies, or those rolling, wrinkled, dried-up sausages.
But then again, she’s been here a lot longer than me.
She’s seen everything
from men who grow dread locks out of their top lips
to children who look like cigarettes.
I give’er my money.
I wait for my change.
But I feel like there’s something more happening here.
I feel—
like a warm mop bucket and dingy tiles that’ll never come clean.
I feel like these freezers cannot be re-stocked often enough.
I feel like trash cans of candy wrappers
with soda pop dripping down the wrong side of the plastic.
I feel like everything just got computerized.
I feel like she was raised to say a LOT of stupid things about a color.
And I feel like if I were to identify myself as gay—
this conversation would stop.
It’s what I do.
I feel.
I get scared sometimes.
And I drive.
…But in 1 minute and 48 seconds I’m gonna walk outta here with a full tank of
gas, a bottle of Mini-Thins, and a pint of milk while there’s a woman still
trapped behind a formican counter somewhere in North Dakota who says she
wants nothing more than to hear my whole story, all 92,775 miles of it.
I can feel it though, y’all, she’s heard more opinions and trucker small talk than
Santa Claus has made kids happy, so I only find the nerve to tell’er the good
parts, that she’s the kindest thing to happen since Burlington, VT, and I wanna
leave it at that because men—who are not smart—have taken it farther, have
cradled her up like a nutcracker and made her feel as warm as a high school education
on the dusty back road, or a beer, in a coozy.
I feel like she’s been waiting here a long time for the one who’ll come 2-steppin’
through that door on 18 wheels without makin’er feel like it’s her job to
sweep up the nutshells alone when she’s done been cracked again, who won’t
tempt her to suck the wedding ring off his dick, but will show her— simply—
LOVE.
She doesn’t need me or any other man but she doesn’t know that either, and I’m
just hopin’ like crazy she doesn’t think I’m the one because the only time I’ll
ever see North Dakota again is in a Van Morrison song late (LATE) at night, I
promise.
Y’all, I feel like she’s 37 years old wearing 51 (badly), dying inside (like certain
kinds of dances around fires) to speak through you, a forest, if you weren’t so
taken with sparks.
But she was never given those words.
She has not been told she can definitely change the world.
She knows some folks do
but not in convenience stores
and NOT with lottery tickets
so
I finally ask’er what I’ve been feelin’ the entire time I’ve been standin’ there
still
gettin’ scared like I do sometimes
really (REALLY) ready to drive
I ask,
“Is this it for you?
Is this all you’ll ever do?”
Her smile
collapsed.
That tightly strapped-in pasty skin
went loose.
Her heart
fell crooked.
She said (not knowin’ my real name),
“I can tell, buddy, by the Mini Thins and the way ya drive—
we’re both taken with novelty.
We’ve both believed in mean gods.
We both spend our money on things that break too easily like…
people.
And I can tell
you think you’ve had it rough
so especially you should know…
It’s what I do,
I dream.
I get high sometimes.
And I’m gonna roll outta here one day.
I just might not get to drive."
~ Buddy Wakefield, "Convenience Stores"
Saturday, April 21, 2012
Adrienne Rich (unknown source)
"Responsibility to yourself means refusing to let others do your
thinking, talking, and naming for you…it means that you do not treat
your body as a commodity with which to purchase superficial intimacy or
economic security; for our bodies to be treated as objects, our minds
are in mortal danger. It means insisting that those to whom you give
your friendship and love are able to respect your mind. It means being
able to say, with Charlotte Bronte's Jane Eyre: 'I have an inward
treasure born with me, which can keep me alive if all the extraneous
delights should be withheld or offered only at a price I cannot afford
to give.'
"Responsibility to yourself means that you don’t fall for shallow and easy solutions—predigested books and ideas…marrying early as an escape from real decisions, getting pregnant as an evasion of already existing problems. It means that you refuse to sell your talents and aspirations short…and this, in turn, means resisting the forces in society which say that women should be nice, play safe, have low professional expectations, drown in love and forget about work, live through others, and stay in the places assigned to us. It means that we insist on a life of meaningful work, insist that work be as meaningful as love and friendship in our lives. It means, therefore, the courage to be 'different'…The difference between a life lived actively, and a life of passive drifting and dispersal of energies, is an immense difference. Once we begin to feel committed to our lives, responsible to ourselves, we can never again be satisfied with the old, passive way."
"Responsibility to yourself means that you don’t fall for shallow and easy solutions—predigested books and ideas…marrying early as an escape from real decisions, getting pregnant as an evasion of already existing problems. It means that you refuse to sell your talents and aspirations short…and this, in turn, means resisting the forces in society which say that women should be nice, play safe, have low professional expectations, drown in love and forget about work, live through others, and stay in the places assigned to us. It means that we insist on a life of meaningful work, insist that work be as meaningful as love and friendship in our lives. It means, therefore, the courage to be 'different'…The difference between a life lived actively, and a life of passive drifting and dispersal of energies, is an immense difference. Once we begin to feel committed to our lives, responsible to ourselves, we can never again be satisfied with the old, passive way."
Friday, April 20, 2012
Excerpt From "She" // Saul Williams
i presented
my feminine side
with flowers
she cut the stems
and placed them gently
down my throat
and these tu lips
might soon eclipse
your brightest hopes
***
she had nothing
but time on her hands:
silver rings, turquoise stones
and purple nails
i rubbed my thumb
across her palm:
a featherbed
where slept a psalm
yea, though i walk
i used to fly
and now we dance
i watched
my toenails blacken
and walked a deadened trance
until she woke me
with the knife edge
of her glance
i have the scars to prove
the clock strikes
with her hands
~ Saul Williams, from: "She"
my feminine side
with flowers
she cut the stems
and placed them gently
down my throat
and these tu lips
might soon eclipse
your brightest hopes
***
she had nothing
but time on her hands:
silver rings, turquoise stones
and purple nails
i rubbed my thumb
across her palm:
a featherbed
where slept a psalm
yea, though i walk
i used to fly
and now we dance
i watched
my toenails blacken
and walked a deadened trance
until she woke me
with the knife edge
of her glance
i have the scars to prove
the clock strikes
with her hands
~ Saul Williams, from: "She"
Monday, March 12, 2012
Jack Kerouac, Letter to his first wife, Edie, 1957
"It’s all like a dream. Everything is ecstasy,
inside. We just don’t know it because of our thinking-minds. But in our
true blissful essence of mind is known that everything is alright
forever and forever and forever. Close your eyes, let your hands and
nerve-ends drop, stop breathing for 3 seconds, listen to the silence
inside the illusion of the world, and you will remember the lesson you
forgot, which was taught in immense milky way soft cloud innumerable
worlds long ago and not even at all. It is all one vast awakened thing. I
call it the golden eternity. It is perfect. We were never really born,
we will never really die. It has nothing to do with the imaginary idea
of a personal self, other selves, many selves everywhere: Self is only
an idea, a mortal idea. That which passes into everything is one thing."
~ Jack Kerouac, Letter to his first wife, Edie, 1957
~ Jack Kerouac, Letter to his first wife, Edie, 1957
Thursday, February 16, 2012
"Sweetness" by Stephen Dunn
Just when it has seemed I couldn’t bear
one more friend
waking with a tumor, one more maniac
with a perfect reason, often a sweetness
has come
and changed nothing in the world
except the way I stumbled through it,
for a while lost
in the ignorance of loving
someone or something, the world shrunk
to mouth-size,
hand-size, and never seeming small.
I acknowledge there is no sweetness
that doesn’t leave a stain,
no sweetness that’s ever sufficiently sweet ....
Tonight a friend called to say his lover
was killed in a car
he was driving. His voice was low
and guttural, he repeated what he needed
to repeat, and I repeated
the one or two words we have for such grief
until we were speaking only in tones.
Often a sweetness comes
as if on loan, stays just long enough
to make sense of what it means to be alive,
then returns to its dark
source. As for me, I don’t care
where it’s been, or what bitter road
it’s traveled
to come so far, to taste so good.
~ Stephen Dunn, "Sweetness"
one more friend
waking with a tumor, one more maniac
with a perfect reason, often a sweetness
has come
and changed nothing in the world
except the way I stumbled through it,
for a while lost
in the ignorance of loving
someone or something, the world shrunk
to mouth-size,
hand-size, and never seeming small.
I acknowledge there is no sweetness
that doesn’t leave a stain,
no sweetness that’s ever sufficiently sweet ....
Tonight a friend called to say his lover
was killed in a car
he was driving. His voice was low
and guttural, he repeated what he needed
to repeat, and I repeated
the one or two words we have for such grief
until we were speaking only in tones.
Often a sweetness comes
as if on loan, stays just long enough
to make sense of what it means to be alive,
then returns to its dark
source. As for me, I don’t care
where it’s been, or what bitter road
it’s traveled
to come so far, to taste so good.
~ Stephen Dunn, "Sweetness"
Tuesday, February 14, 2012
Let’s just get this out in the open. From Homewrecker, Daphne Gottlieb
I was 14 and madly in love for the
first time. He was 21. He made me suddenly, unaccustomedly beautiful
with his kisses and mix tapes. During the year of elation and longing,
he never mentioned that he had a girlfriend who lived across the street.
A serious girl. A girl his age. A girl he loved. Unlike inappropriate,
high school, secret me.
The next time, I was 15 visiting a friend at college. It was a friend’s friend’s boyfriend who looked like Jim Morrison and wore leather pants and burned candles and incense. She was at work and I wanted him to touch me. She found out. I don’t know what happened after that.
I was 19 and he was my boyfriend’s archrival. I was 20 and it was my lover’s girlfriend and we had to lie because otherwise he always wanted to watch. I was 24 and her girlfriend knew about it but then changed her mind about the open relationship. We saw each other anyway. I was 30 and we wanted each other but were committed to other people; the way we look at each other still scorches the walls. I turned thirty-something and pointedly wasn’t invited to a funeral/ a wedding/ a baby shower because of a rumor.
I am a few years older now and I know this: There are tastes of mouths I could not have lived without; there are times I’ve pretended it was just about the sex because I couldn’t stand the way my heart was about to burst with happiness and awe and I couldn’t be that vulnerable, not again, not with this one. That waiting to have someone’s stolen seconds can burn you alive. That the shittiest thing you can do in the world is lie to someone you love; also that there are certain times you have no other choice – not honoring this fascination, this car crash of desire, is also a lie. [cliché]That there is power in having someone risk everything for you. That there is nothing more frightening than being willing to take this freefall. That it is not as simple as we were always promised. Love – at least the pair-bonded, prescribed love – does not conquer all.
Arrow, meet heart. Apple, meet Eve.
It’s an old story. It’s one that we find endlessly fascinating and can’t stop telling, from the headlines to Jerry Springer, from politics to pornography. But if these conversations are happening out there in the movies, television and news media, they only occur only in the quietest and most painful ways in our own homes. And there’s no doubt these conversations are happening. A recent statistic in a Dan Savage column cited infidelity as high as eighty percent in all couples. Perhaps it’s true in the public perception that, as a close straight single male friend said, “Monogamy is what you can get away with.” But if there are so many people straying outside the lines, maybe it’s time to examine how we really love – maybe then we’d be able to talk about adultery without snickering, whispering or screaming.
Shortly after Homewrecker’s call for submissions was sent out, I received a number of fevered, upset emails. They weren’t submissions. Over and over, they said: You’re not in FAVOR of it, are you? I want to believe (but rather doubt) that this same question would be asked of me as the editor of an anthology on motherhood, cancer, or swing dance. But mothers, the ill, and dancers do not have to lie to nurture, heal, or perform. Here’s to the possibility to an end to infidelity, of having love without lies. As a writer, I’m drawn to contradiction and cataclysm, compelled by ambivalent, tortured emotional states. As a feminist, I’m appalled that most of the acculturated stories we have about adultery end with the betraying, sinister woman being punished/cast out while adulterous men come back, transformed, renewed, rescued. As an American queer, I’m on the outside of the primary happily-ever-after story we tell about Love, and over and over, I’m struck by how hard-won and rare living out this myth is – for anyone.
Here then, I hope, are stories, poems and essays about the way it really breaks down, about what desire does to us, , about what happens when we’re incandescent but are not allowed to be, about what we look like when we adore, and, in the end, what it cost.
The next time, I was 15 visiting a friend at college. It was a friend’s friend’s boyfriend who looked like Jim Morrison and wore leather pants and burned candles and incense. She was at work and I wanted him to touch me. She found out. I don’t know what happened after that.
I was 19 and he was my boyfriend’s archrival. I was 20 and it was my lover’s girlfriend and we had to lie because otherwise he always wanted to watch. I was 24 and her girlfriend knew about it but then changed her mind about the open relationship. We saw each other anyway. I was 30 and we wanted each other but were committed to other people; the way we look at each other still scorches the walls. I turned thirty-something and pointedly wasn’t invited to a funeral/ a wedding/ a baby shower because of a rumor.
I am a few years older now and I know this: There are tastes of mouths I could not have lived without; there are times I’ve pretended it was just about the sex because I couldn’t stand the way my heart was about to burst with happiness and awe and I couldn’t be that vulnerable, not again, not with this one. That waiting to have someone’s stolen seconds can burn you alive. That the shittiest thing you can do in the world is lie to someone you love; also that there are certain times you have no other choice – not honoring this fascination, this car crash of desire, is also a lie. [cliché]That there is power in having someone risk everything for you. That there is nothing more frightening than being willing to take this freefall. That it is not as simple as we were always promised. Love – at least the pair-bonded, prescribed love – does not conquer all.
Arrow, meet heart. Apple, meet Eve.
It’s an old story. It’s one that we find endlessly fascinating and can’t stop telling, from the headlines to Jerry Springer, from politics to pornography. But if these conversations are happening out there in the movies, television and news media, they only occur only in the quietest and most painful ways in our own homes. And there’s no doubt these conversations are happening. A recent statistic in a Dan Savage column cited infidelity as high as eighty percent in all couples. Perhaps it’s true in the public perception that, as a close straight single male friend said, “Monogamy is what you can get away with.” But if there are so many people straying outside the lines, maybe it’s time to examine how we really love – maybe then we’d be able to talk about adultery without snickering, whispering or screaming.
Shortly after Homewrecker’s call for submissions was sent out, I received a number of fevered, upset emails. They weren’t submissions. Over and over, they said: You’re not in FAVOR of it, are you? I want to believe (but rather doubt) that this same question would be asked of me as the editor of an anthology on motherhood, cancer, or swing dance. But mothers, the ill, and dancers do not have to lie to nurture, heal, or perform. Here’s to the possibility to an end to infidelity, of having love without lies. As a writer, I’m drawn to contradiction and cataclysm, compelled by ambivalent, tortured emotional states. As a feminist, I’m appalled that most of the acculturated stories we have about adultery end with the betraying, sinister woman being punished/cast out while adulterous men come back, transformed, renewed, rescued. As an American queer, I’m on the outside of the primary happily-ever-after story we tell about Love, and over and over, I’m struck by how hard-won and rare living out this myth is – for anyone.
Here then, I hope, are stories, poems and essays about the way it really breaks down, about what desire does to us, , about what happens when we’re incandescent but are not allowed to be, about what we look like when we adore, and, in the end, what it cost.
~ "Let's just get this out in the open," Homewrecker, Daphne Gottlieb
Monday, February 13, 2012
"Postscript" by Seamus Heaney
And some time make the time to drive out west
Into County Clare, along the Flaggy Shore,
In September or October, when the wind
And the light are working off each other
So that the ocean on one side is wild
With foam and glitter, and inland among stones
The surface of a slate-grey lake is lit
By the earthed lightning of a flock of swans,
Their feathers roughed and ruffling, white on white,
Their fully grown headstrong-looking heads
Tucked or cresting or busy underwater.
Useless to think you'll park and capture it
More thoroughly. You are neither here nor there,
A hurry through which known and strange things pass
As big soft buffetings come at the car sideways
And catch the heart off guard and blow it open.
~ Seamus Heaney, "Postscript"
Into County Clare, along the Flaggy Shore,
In September or October, when the wind
And the light are working off each other
So that the ocean on one side is wild
With foam and glitter, and inland among stones
The surface of a slate-grey lake is lit
By the earthed lightning of a flock of swans,
Their feathers roughed and ruffling, white on white,
Their fully grown headstrong-looking heads
Tucked or cresting or busy underwater.
Useless to think you'll park and capture it
More thoroughly. You are neither here nor there,
A hurry through which known and strange things pass
As big soft buffetings come at the car sideways
And catch the heart off guard and blow it open.
~ Seamus Heaney, "Postscript"
Monday, January 9, 2012
Richard Siken, "Boot Theory"
A man walks into a bar and says:
You take her out into the rain and you fall in love with her
You’re on your back in your undershirt, a broken man
on an ugly bedspread, staring at the water stains
And you can hear the man in the apartment above you
taking off his shoes.
You hear the first boot hit the floor and you’re looking up,
because you thought it would follow, you thought there would be
some logic, perhaps, something to pull it all together
but here we are in the weeds again,
in the bowels of the thing: your world doesn’t make sense.
And then the second boot falls.
A man walks into a bar and says:
You take him home, and you make him a cheese sandwich,
and you try to get his shoes off, but he kicks you
You swallow a bottle of sleeping pills but they don’t work.
Boots continue to fall to the floor
You go to work the next day pretending nothing happened.
Your co-workers ask
if everything’s okay and you tell them
And you’re trying to smile. And they’re trying to smile.
A man walks into a bar, you this time, and says:
Make it a double.
A man walks into a bar, you this time, and says:
A man walks into a convenience store, still you, saying:
I only wanted something simple, something generic…
But the clerk tells you to buy something or get out.
A man takes his sadness down to the river and throws it in the river
but then he’s still left
with the river. A man takes his sadness and throws it away
~ Richard Siken, "Boot Theory"
You take her out into the rain and you fall in love with her
You’re on your back in your undershirt, a broken man
on an ugly bedspread, staring at the water stains
And you can hear the man in the apartment above you
taking off his shoes.
You hear the first boot hit the floor and you’re looking up,
because you thought it would follow, you thought there would be
some logic, perhaps, something to pull it all together
but here we are in the weeds again,
in the bowels of the thing: your world doesn’t make sense.
And then the second boot falls.
A man walks into a bar and says:
You take him home, and you make him a cheese sandwich,
and you try to get his shoes off, but he kicks you
You swallow a bottle of sleeping pills but they don’t work.
Boots continue to fall to the floor
You go to work the next day pretending nothing happened.
Your co-workers ask
if everything’s okay and you tell them
And you’re trying to smile. And they’re trying to smile.
A man walks into a bar, you this time, and says:
Make it a double.
A man walks into a bar, you this time, and says:
A man walks into a convenience store, still you, saying:
I only wanted something simple, something generic…
But the clerk tells you to buy something or get out.
A man takes his sadness down to the river and throws it in the river
but then he’s still left
with the river. A man takes his sadness and throws it away
~ Richard Siken, "Boot Theory"
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